In the annals of creatures associated with darkness, two figures stand peculiarly prominent: the European hedgehog (Erinaceus europaeus) and Count Dracula, the fictional Wallachian nobleman who has terrorised imaginations since 1897. One shuffles through suburban gardens consuming slugs; the other stalks through Gothic literature consuming souls. Yet beneath these surface differences lies a remarkable convergence of nocturnal strategy.
The hedgehog, weighing approximately one kilogram and sporting up to 7,000 spines, has perfected the art of being simultaneously adorable and unapproachable. Dracula, weighing considerably more in most cinematic portrayals and sporting two prominent fangs, has perfected the art of being simultaneously charming and lethal. Both represent apex adaptations to their respective ecological niches: the midnight garden and the midnight castle.